During a rally in Jammu, Prime Minister Narendra Modi expressed his interest in an upcoming film titled ‘Article 370,’ aimed at providing accurate information about the contentious topic. However, if you were expecting a factual account, you might be disappointed as the film takes creative liberties in its storytelling.
Plot Summary
Directed by Aditya Suhas Jambhale, ‘Article 370’ delves into the complex issue of the abrogation of special status in Kashmir. The film spans six chapters and follows the journey of Zooni, a Kashmiri Pandit, and a joint secretary at the Prime Minister’s Office, played by Priya Mani and Yami Gautam respectively. While the performances shine, the film’s pacing leaves much to be desired, with a lengthy runtime of 2 hours and 40 minutes.
Character Analysis
Priya Mani’s portrayal of the brain behind the abrogation process is commendable, while Yami Gautam’s character, Zooni, echoes familiar Bollywood tropes. The film attempts to highlight the betrayal faced by Kashmir, with politicians and bureaucrats depicted in shades of grey.
Production and Direction
‘Article 370’ boasts high production value, reminiscent of producer Aditya Dhar’s previous work in ‘Uri’ (2019). However, the film’s narrative leans towards propaganda, putting the spotlight on the BJP government ahead of elections. Arun Govil and Kiran Karmarkar’s portrayals of PM Modi and Home Minister Amit Shah add depth to the storyline.
Historical Accuracy
While the film aims to shed light on Kashmir’s troubled history, some of its interpretations may not align with factual accounts. Viewers may find themselves questioning the validity of certain theories presented in the film, highlighting the importance of seeking accurate information.
‘Article 370’ offers a cinematic take on a complex political issue, weaving together elements of drama and patriotism. While it may not provide a comprehensive understanding of Kashmir’s history, the film sparks important conversations about autonomy and governance. Ultimately, it serves as a reminder of the power of storytelling in shaping public perception and the need for audiences to critically evaluate the narratives presented to them.